Anywho here's some tests i've bin doing.
This is how I imagine the colouring to look. Its kind of what i've had in mind since day one, after seeing Migs fantastic pre production art. I like the painted look. The only problem tho; we have to make sure its simple enough to animate. I think this colouring style is quite simple, and I think a productive technique could be built up in TVP (block colouring, then shading each individual part to keep consistency, even down to individual brush strokes like we did with the Royal Wedding vid)
. I'm not sure on all aspects, the main one being line:- do we show line or not? I personally dont want to; I love the way Dice Tsutsumi paints, especially with the hard, computer-cut edge, and would love to do something in that direction.
This is a colouring test I did. Its incomplete but is getting there. I need to cut around the edge still like above, so imagine it like that.
Have got another one that i'll update the post with tomorrow.
Finally here's two little sketches we did in different styles
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| Waltz with Bashir colour |
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| Sin Cityish |
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PAINTING
The animation above counts for my 4th painting (Daily painting), and the old man is the 6th. And since the clock reads half 12, here's tomorrows/todays(?.. 25th..)
Tis from a life drawing sesh last wednesday, coloured in PS. Felt very rewarding to do actually.
I've bought quite a few books in the last year and getting a nice little library together. One of them was Egon Schiele, & the others was of Alphonse Mucha's work. I want to have a go at immitating the two of them's styles. There approach to the opposite sex is quite different from one another (Angelic womanlyness vs prostitute demon ladies) so should be good fun.
Here's those Life Drawings from the other day too:
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Just want to go back to style to finish off, and include a few animations i've seen recently.
First off, just saw this:
Really love this, one watch and i'm starting to think the Sin City route may be right for us. It would be quicker to produce, very stylistic, and fun I think.
Another, which i've been blown away by this last week:
Love the looseness. I can see this flowy style of animation working for us come the end of the film when things get a bit manic.
Al also suggested the other day we take a look at 30 days of summer. Its great, it has the contrast of Sin City, but instead of it being black/white, the white bits are essentially filled in. This is essentially a coming-together of the two styles.
I dont feel its such a tough decision, I think we're pretty clear, its a case of one or the other. I feel safe in the knowledge we can stamp it 100% once the team is together and we know, realistically, what we have time for and are capable of.
